Neil December 8th, 2007

So it’s been a while since I’ve discussed a picture, and I thought this would be a good one to talk about. I shot this image at a recent November wedding with it’s bride only counterpart. I enjoyed creating this image in an empty lot next to Christina’s (the bride’s) parent’s home where she prepared for the wedding. The enjoyment came from being able to create mood and style easily in the early evening that comes in November. The frame above was made at 5:03:22PM between the ceremony and reception. The early sunset gave me the chance to control the lighting in the image by using my strobes instead of relying on the mood of the natural light.

Planning for pictures

The early evening gave us ample time between the ceremony and reception and the double bonus of having both daylight and dusk to make pictures in. With a wedding plan that allowed us two hours of shooting between the ceremony and reception I was able to shoot several styles of pictures with the wedding party and the couple. The November temperatures, the foliage valiantly holding on the Red Oaks and a freshly dressed bride inspired this photo’s tonality:

Even though the day was started with a light snow and the grey skies remained through the day - with my equipment and vision I was able to create a unique photo for Christina. She was brave enough to wear her lacy dress into the weeds before the ceremony to win this great photo!

Composition and presentation

I made a new category today in the content management system here called presentation as I will be posting some interesting presentation options soon. Let me talk just a moment about the composition and how it affects presentation of the photo. First, the proportion - or the size of the couple related to the overall image - has several relationships to how you may or may not appreciate presenting the image in your home. My experience in preparing images for display in my clients homes, mailing as postcards and designing into websites has shown me that there are two general groups of clients that hire me; the visuals and the emotionals. One group are generally more bold and visually literate, meaning they have greater experience reading, using, or collecting images. The other group of image buyers are less sure of what they want in visual terms but are drawn to Liesl & I’s work on emotional terms and the romance of documenting real moments of family and friend’s connections.

The visually literate bunch, often work in advertising, communications, or practice photography as a hobby and have more graphic tastes in photos and a stronger tolerance for seeing themselves in the photos. The emotionally motivated bunch, have less of a tolerance for displaying themselves and would rather see demonstrations of love but not of themselves. Interesting paradox, I know since it’s their love that is demonstrated.

Print size and proportions

No client represents either of these polarities completely, however I felt Christina and Mike were somewhat of the more romantic type and so I composed several of these images in this proportion to give them the opportunity to make a large print where they don’t feel visually large in the print, but can cherish their togetherness and warmth in the chill night air under the moon. The scale of this image should allow it to be printed as large as some of our largest prints, meaning 4 feet tall by 6 feel long on a fine canvas frame. If you have a big blank wall to cover in your home, we can take care of you!

Browse the ‘Where Art Lives’ category to get more ideas about how to frame, mount, and creatively present your wedding and portrait images.

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